On: 15 Settembre 2020
    In: Senza categoria
    Views: 1536

    Luminous Variations in the City Skies by Giuseppe Spina,
    will be shown at 15° MONTREAL UNDERGROUND FILM FESTIVAL, Canada, in the program titled “SATNAV”.

    The 15th Edition of The Montreal Underground Film Festival
    La 15ème édition du Festival de films underground de Montréal


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  • CROSSROADS 2020, San Francisco Cinematheque

    On: 13 Settembre 2020
    In: Senza categoria
    Views: 1188

    Luminous Variations in the City Skies” in the CROSSROADS 2020  – San Francisco Cinematheque, a festival of artist-made film & video.

    Program online August 25 – September 30
    Livestream premiere, August 24 at 7.00 pm PDT (in Italy at 4.00 am).

    program 4 • all those things you used to feel

    Program opens with a series of quietly lyrical and observational works: reveries of landscape, the celestial heavens and the body; mediumistic studies of corporeal time and of eternity. These slowly give way explorations of the electronic ether and the mediation of subjectivity.  Not without humor, these oblique conundra present uncanny intermediated non-places in which intimacy becomes increasingly alien and where buildings and other mysterious objects assert themselves.

    SCREENING: Westinghouse One (2019) by Kevin Jerome Everson (livestream only); mockingbird (2020) by Kevin Jerome Everson (livestream only); Die Nacht (2017-2019) by Wenhua Shi; liminal poem (2019) by Susan DeLeo; Luminous Variations in the City Skies (2019) by Giuseppe Spina; Sympathetic Bodies (2018) by Margaret Rorison; Traces (2020) by Carleen Maur; where i don’t meet you (2019) by Charlotte Clermont; Plants Are Like People (2018) by Charlotte Clermont; Story of the Dreaming Water, Chapter One (2018) by Brittany Gravely; The Tower (2019) by Silvestar Kolbas; Interbeing (2018) by Martina Hoogland Ivanow; My Favorite Object (2019) by Meredith Moore

    CROSSROADS 2020 / San Francisco Cinematheque
    85 works of film and video by 71 artists representing 22 countries and territories presented in 9 curated programs.

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  • Luminous variations in the city skies

    On: 2 Aprile 2019
    In: Senza categoria
    Views: 0

    Luminous variations in the city skies / Variazioni luminose nei cieli della città
    2019, silent, 6 min
    a film by Giuseppe Spina

    With support of ABA (Accademia di Belle Arti) Bologna
    International distribution Movimcat – The Moving Image Catalog

    Between 1932 and 1957, at the Specola Tower in Bologna, a new optical technology was invented, one that would revolutionize outer space observatory methods. The tower’s four floors were perforated and a series of hexagonal mirrors were installed side by side at its base, creating a giant telescope of 2 by 24 meters. A mobile camera was set at right angles to the mirrors, with a focal length of 10,41 meters, exposing thousands of glass plates which offered a systematic overview of the city’s zenithal sky. Thirty years of research were necessary for the astronomer Guido Horn D’Arturo to invent the specchio a tasselli – also called multimirror or segmented mirror – an archetype of today’s most advanced telescopes. Full of point-like shapes, these photographic plates are now also full of spots and traces of deteriorated emulsions. This silent film, made by Giuseppe Spina, is composed of digital scans and blow-ups of Horn D’Arturo’s plates.

    Tra il 1932 e il 1957, alla Torre della Specola di Bologna, fu inventata una tecnologia ottica che rivoluzionò il metodo di osservazione dello Spazio. Una serie di specchi esagonali affiancati l’uno all’altro, vennero posti alla base della torre che fu perforata per 4 piani, a creare un vero telescopio, profondo 24 metri, largo 2. Perpendicolare agli specchi, ad una distanza focale di 10,41 metri, venne montata una macchina fotografica mobile, che impressionò migliaia di lastre di vetro, compiendo una rassegna sistematica del cielo zenitale della città. Fu l’astronomo Guido Horn D’Arturo a ideare e realizzare in trent’anni di ricerche lo “specchio a tasselli”, oggi alla base dei telescopi più avanzati. Viene chiamato “multimirror” o “segmented mirror”. Per questo film le lastre fotografiche di Horn – ricche di immagini puntiformi, e oggi di macchie ed emulsioni deteriorate dal tempo – sono state riprese mediante processi di ingrandimento e digitalizzate, ovvero cinematografate da Giuseppe Spina.

    ¿What’s behind the concept of “body”?, José Sarmiento Hinojosa in Desistfilm
    Cinesinfin about the film
    Corpi celesti: emulsioni, erosioni, film., Mattia Fiorino in Il tempo impresso
    • DESISTFILM 2019 FILM ROUND-UP: THE LISTS/LAS LISTAS – for IVONNE SHEEN filmmaker, film critic (Peru)

    Screenings & exhibitions

    2021/06 ENEAGRAMA – Festival Internacional de Cine Experimental, 4th ed., Córdoba, Argentina

    2021/05 15° Montreal Underground Film Festival, CANADA

    2021/04 18° ICDOCS Iowa City International Documentary Film Festival, USA

    2021/04 56th Int. Festival of Science Documentary Films – AFO Academia Film Olomouc, Czech Republic

    2020/12 ANALOGICA Selection 10, Italy

    2020/08 CROSSROADS 2020, San Francisco Cinematheque, August 21–September 30, USA

    2020/03 CABIN FEVER, COVID-19 playlist of online experimental films & videos, USA /online

    2020/02 Rencontres Internationales Paris/Berlin [Video Library], France

    2020/02 RPM Festival, USA

    2020/01 Slovenska kinoteka, Slovenia

    2019/11 Cámara Lúcida – Encuentros Cinematográficos, Ecuador

    2019/11 Istanbul International Experimental Film Festival, Turkey

    2019/09 Unseen Festival, USA

    2019/08 Disorder Festival, Italy

    2019/06 Pesaro Film Festival, Italy

    2019/06 Laterale Film Festival, Italy

    2019/05 Designed Reminiscence Vol.2, Synesthesia Gallery, NY – USA

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