curated by Giulia Mazzone, Giuseppe Spina, Riccardo Re
Dan Browne, Canada | 2018 | 4K | Color | Silent | 2’
Simon Liu, Hong Kong/USA/UK | 2019 | HD | Color | Sound | 13’
A film sixteen thousand splices in the making. E-Ticket is a frantic (re)cataloguing of a personal archive and an opportunity for rebirth to forgotten images. 35mm photo negatives and moving pictures (taken during the artist’s formative years) are obsessively cut apart, reshuffled then tape spliced together inch by inch in rigid increments. Fragmented views swipe between a school trip to India then culminate with a protest of a 2005 World Trade Organization summit in Hong Kong. My photographs may have all be cut up and mixed around, but at least they’re all in one place now. A retelling of Dante’s Inferno for the streaming age; a freedom of movement reserved for the modern cloud.
Richard Tuohy and Dianna Barrie, Taiwan/Australia | 2018 | 16mm | Color | Sound | 14’ | 🎥 16mm
Hong Kong marked 20 years since its hand over; half way through the planned 40 year ‘one country, two systems’ transition. Taiwan, once imperial China, once Formosa, now ROC on the edge of the PRC. Multiple exposures of street scenes distort space and place creating a fluid sense of impermanence and transition, of two states somewhere between China and not China.